Followers

Monday, November 25, 2013

Children Learn What They Live by Dorothy Law Nolte, Ph.D.



Children Learn What They Live
By Dorothy Law Nolte, Ph.D.


 If children live with criticism, they learn to condemn.

 If children live with hostility, they learn to fight.


 If children live with fear, they learn to be apprehensive.


 If children live with pity, they learn to feel sorry for themselves.


 If children live with ridicule, they learn to feel shy.


 If children live with jealousy, they learn to feel envy.


 If children live with shame, they learn to feel guilty.


 If children live with encouragement, they learn confidence.


 If children live with tolerance, they learn patience.


 If children live with praise, they learn appreciation.


 If children live with acceptance, they learn to love.


 If children live with approval, they learn to like themselves.


 If children live with recognition, they learn it is good to have a goal.


 If children live with sharing, they learn generosity.


 If children live with honesty, they learn truthfulness.


 If children live with fairness, they learn justice.


 If children live with kindness and consideration, they learn respect.


 If children live with security, they learn to have faith in themselves and in those about them.


 If children live with friendliness, they learn the world is a nice place in which to live.


Copyright � 1972 by Dorothy Law Nolte

Thursday, October 31, 2013

ON THIS DAY IN TCXPI HISTORY






This compilation is created as a tribute to the Africans and African Americans that have made contributions to the world despite the challenges, and obstacles that existed - the good, the bad, and the ugly. We must embrace African People, History, and Culture as our own. Through these challenges, the Ancestor displayed Self-Determination, Resilience, Courage, and Black Pride in their Quest For Equality and Social Justice.

 

These images give brief descriptions of just some of Our Sung and Unsung People and Events.

 

I Give Thanks and Honor to All who have made and who will make contributions to the building and developing of  the United States of America and the World.

 

Cynthia D. Cornelius,

TCXPI CEO and Founder

Sunday, October 13, 2013

Hazel Doris Scott: Breaking Down Racial Barriers in Music and Film


 


The Chinue X Project, Inc. Celebrates The Life And Legacy Of Hazel Doris Scott, Child Musical Prodigy, and Jazz and Classical Pianist and Singer, who Broke Down Barriers in the Recording and Film Industries.
 
Born in Port Au Spain, Trinidad, Ms. Scott’s parents moved to the United States, where she began perfecting her “gift” as a pianist. She studied classical piano at Juilliard from the age of eight. She became an attraction at downtown and uptown branches of Cafe Society in the late '30s and early '40s. Scott had her own radio show in 1936, appeared on Broadway in 1938, and was in five films during the '40s, among them Rhapsody in Blue. She wrote such songs as "Love Comes Softly" and "Nightmare Blues.“
 
In 1950, she would become the First African American performer to host her own nationally syndicated television show. As the solo star of the show, Hazel performed piano and vocals, often singing tunes in one of the seven languages she spoke. A review in Variety stated, “Hazel Scott has a neat little show in this modest package. Most engaging element in the air is the Scott personality, which is dignified, yet relaxed and versatile.”
She was also the second wife of US Congressman Adam Clayton Powell Jr.
 
For Further Reading and Viewing:




 

Sunday, September 15, 2013

 
 
 
On This Day In TCXPI History

The 50th ANNIVERSARY OF THE 16TH STREET BOMBING, BIRMINGHAM, AL.
 
We Remember Denise McNair (11), Carole Robertson (14), Addie Mae Collins (14), and Cynthia Wesley (14), who on Sunday morning, September 15, 1963 at 10:22 a.m. were killed by a bomb planted by Ku Klux Klan members at the 16th Street Baptist Church in Birmingham, AL. This senseless, murderous, and cowardice act would shock the nation and galvanize the Civil Rights movement.
  
For Further Reading:
 
 
 
 

Two more African American youths were killed that day. Johnnie Robinson (16), was shot by police for throwing stones at moving cars. Virgil Ware (13), on a bicycle, was shot by a white man on a motor scooter.
For Further Reading:
 
 
 
 
 
 
 
 


Tuesday, August 20, 2013

The Honorable Marcus Mosiah Garvey, UNIA Leader and Pan Africanist Leader

Marcus Mosiah Garvey was born on this day
 in St. Ann's Bay, Jamaica.


Marcus Mosiah Garvey creates "The Negro World" newspaper as the official organ of the Universal Negro Improvement (UNIA).


 

 

Wednesday, July 17, 2013

Fruitvale Station

Tuesday night. I was honor to  attend a pre-release viewing of "Fruitvale Station" in DC with my son, who attended St. Mary's with  film writer/producer Ryan Coogler.  An amazing movie - Ryan did an excellent job bringing Oscar Grant's story to the big screen. As a native of Oakland, it brought back heartfelt memories of his tragic death and the impact it had on the entire Oakland community. I feel that this movie will touch you in a different way if you - First, are from Oakland and you see all  the familiarity; Second, if you are Black and understand his family and cultural dynamics; Third, if you are fully aware of his tragic and senseless murder; and Fourth, if you are a Mother to a Black male in the Black community.  It was so welcoming to see what a big heart and personality he had, as well as a deep love for his family. I didn't find it "laugh out loud" funny, and kind of took offense to those that did. I teared up and cried mostly. For me it was like going to a funeral - reliving 2009 New Year's Day all over again. Oscar Grant's Life represents many of our young Black men all over the world, who desire to walk a straight path, no matter how many obstacles and challenges are presented. I hope Oscar's story will touch the lives of others who face these same struggles. Michael B, Jordan, Octavia Spencer, and the entire cast were excellent! Job well done!
 

Tuesday, July 16, 2013

BLACK MAN WRITES OPEN LETTER TO GEORGE ZIMMERMAN BY ALEX FRASER



Wednesday, June 19, 2013

JUNETEENTH 2013

On This Day In TCXPI History - Celebrating Juneteenth!

 
JUNETEENTH. On June 19 ("Juneteenth"), 1865, Union general Gordon Granger arrived in Galveston and issued General Order Number 3, which read in part, "The people of Texas are informed that, in accordance with a proclamation from the Executive of the United States, all slaves are free. This involves an absolute equality of personal rights and rights of property between former masters and slaves, and the connection heretofore existing between them becomes that between employer and hired labor." The tidings of freedom reached the approximately 250,000 slaves in Texas gradually as individual plantation owners informed their bondsmen over the months following the end of the war. The news elicited an array of personal celebrations, some of which have been described in The Slave Narratives of Texas (1974). The first broader celebrations of Juneteenth were used as political rallies and to teach freed African American about their voting rights. Within a short time, however, Juneteenth was marked by festivities throughout the state, some of which were organized by official Juneteenth committees.
 
The day has been celebrated through formal thanksgiving ceremonies at which the hymn "Lift Every Voice" furnished the opening. In addition, public entertainment, picnics, and family reunions have often featured dramatic readings, pageants, parades, barbecues, and ball games. Blues festivals have also shaped the Juneteenth remembrance. In Limestone County, celebrants gather for a three-day reunion organized by the Nineteenth of June Organization. Some of the early emancipation festivities were relegated by city authorities to a town's outskirts; in time, however, black groups collected funds to purchase tracts of land for their celebrations, including Juneteenth. A common name for these sites was Emancipation Park. In Houston, for instance, a deed for a ten-acre site was signed in 1872, and in Austin the Travis County Emancipation Celebration Association acquired land for its Emancipation Park in the early 1900s; the Juneteenth event was later moved to Rosewood Park. In Limestone County the Nineteenth of June Association acquired thirty acres, which has since been reduced to twenty acres by the rising of Lake Mexia.
 
Particular celebrations of Juneteenth have had unique beginnings or aspects. In the state capital Juneteenth was first celebrated in 1867 under the direction of the Freedmen's Bureau and became part of the calendar of public events by 1872. Juneteenth in Limestone County has gathered "thousands" to be with families and friends. At one time 30,000 blacks gathered at Booker T. Washington Park, known more popularly as Comanche Crossing, for the event. One of the most important parts of the Limestone celebration is the recollection of family history, both under slavery and since. Another of the state's memorable celebrations of Juneteenth occurred in Brenham, where large, racially mixed crowds witness the annual promenade through town. In Beeville, black, white, and brown residents have also joined together to commemorate the day with barbecue, picnics, and other festivities.
 
Juneteenth declined in popularity in the early 1960s, when the civil-rights movement, with its push for integration, diminished interest in the event. In the 1970s African Americans' renewed interest in celebrating their cultural heritage led to the revitalization of the holiday throughout the state. At the end of the decade Representative Al Edwards, a Democrat from Houston, introduced a bill calling for Juneteenth to become a state holiday. The legislature passed the act in 1979, and Governor William P. Clements, Jr., signed it into law. The first state-sponsored Juneteenth celebration took place in 1980.
 
Juneteenth has also had an impact outside the state. Black Texans who moved to Louisiana and Oklahoma have taken the celebration with them. In 1991 the Anacostia Museum of the Smithsonian Institution sponsored "Juneteenth '91, Freedom Revisited," featuring public speeches, African-American arts and crafts, and other cultural programs. There, as in Texas, the state of its origin, Juneteenth has provided the public the opportunity to recall the milestone in human rights the day represents for African Americans.
 
 
 
BIBLIOGRAPHY: 
Randolph B. Campbell, "The End of Slavery in Texas: A Research Note," Southwestern Historical Quarterly 88 (July 1984). Gregg Cantrell and Elizabeth Hayes Turner, eds., Lone Star Pasts: Memory and History in Texas (College Station: Texas A&M University Press, 2007). Doris Hollis Pemberton, Juneteenth at Comanche Crossing (Austin: Eakin Press, 1983). Vertical Files, Dolph Briscoe Center for American History, University of Texas at Austin. William H. Wiggins, Jr., O Freedom! Afro-American Emancipation Celebrations (Knoxville: University of Tennessee Press, 1987). David A. Williams, The Emancipation Proclamation of 1863 and the Emancipation Proclamation, Texas Style (June 19, 1865) (Austin: Williams Independent Research Enterprises, 1979).